Photo by Studio D
Saved: Objects of the Dead
A collaborative project by Jody Servon and Lorene Delany-Ullman
Saved: Objects of the Dead is a collaborative project by artist Jody Servon and poet Lorene Delany-Ullman. We pair photographs and prose about objects and memories people have saved from deceased loved ones. Saved is exploration of the human experience of life, death, and memory.
We are grateful to all who participate by lending their objects of the dead to be photographed and tell us their intimate, provocative, and sometimes embarrassing stories about themselves and their departed loved ones. Click on the object photos below to reveal the prose.
Grandpa's Cabin
×Bud kept a war diary. At seventeen, he joined the Navy, and was sent to France where he wielded a rifle capable of firing multiple rounds. Though he inhaled enough mustard gas to give him emphysema, he loved to smoke cigars. A bald man, Bud had a large freckle on the top of his head. He pointed to the freckle and told his grandchildren, “This is a nail head. The nail holds my head on.” His wife, Dot, draped doilies over the backs of all the armchairs in the living room. She said to her grandchildren, “The doilies absorb the grease from Bud’s head.” When Bud retired he didn’t know what to do, so Dot told him to pick up sticks in the adjacent vacant lot. From branches and twigs, he built the cabin. His granddaughter adored the small leather hinges, the tiny metal screw eye as doorknob. As a young child, she loved looking through the small cabin windows, admiring the small rooms that suggested the possibility of small people living inside. Once, when she was in college, and many years after Dot had died, her grandfather pushed his tongue into her mouth during a goodnight kiss. She jerked back, and hurried off to join her friends at their campsite on the Florida shore.
Mom's Chili Cup
×In her cookbooks, hundreds of dog-eared recipes. Or sometimes she wrote on strips of paper: I like this because. Everybody thought she was a redhead; she was the cool mom on the block with shades and wigs. She cooked her favorite five, though her son only remembers three: Hawaiian pork chops, chuck wagon mac, and BBQ spare ribs. How he hated Hawaiian pork chop night. Even Mom's ribs weren' t that good. (God bless her.) The first meal she cooked for her husband, chicken á la king, she crushed the whole garlic bulb into the skillet instead of one clove. Mom believed in recipes, the microwave, and Wendy's Chili. (Belly up to a pot of rich and meaty, award-winning taste.) She'd buy four or five cups and keep them in the refrigerator. In the new condo, she never turned on the oven; her son found the broiler pan still wrapped inside.
Mom's Ring
×It's become a family comedy, of sorts. Everyone knows of Mom's ring, but no one knows where it came from. Mom conspired with Dad's family to get them married. All Dad had to do was show up. So he purchased several rings throughout their marriage because Mom always said, "you never bought me an engagement ring." Dad remembers that this one must have been inexpensive because he and Mom were broke. Their son Allen learned that it's a moonstone, or a Feldspar mineral, a stone the Romans once believed to be formed from moonlight. During Mom's frequent hospital stays, the ring stayed on her bedside table at home. As a boy, Allen liked to sit in his Mom's lap with her arms around him. He'd play with her cloudy-blue ring, spin it, and move it from finger to finger. Her hands, like Allen's, were long and skinny-she was six feet tall and very thin. Allen never minded how his hands appeared because they looked just like his Mom's. He recalls her hands (and that ring) more than her face.
Uncle Ebby and Uncle Reese’s Slot Machine
×On their bar, beside the bourbon and vodka, the slots. And a crock of buffalo nickels. Uncle Ebby—he’d always tell you what he thought, good or bad. That’s a decorator for you. Uncle Reese, he used to relax with a Pall Mall and a vodka tonic before cooking. He’d set the table with the best china, silver, and crystal. Wine with dinner and a stinger afterwards. Their seven-year-old niece played the slots. A green machine with three spinning reels out of Atlantic City. She’d spend summers in their central A/C, watch their TV with more than three channels. Every Christmas, the uncles had two trees. One full of antique ornaments, the other upstairs, white flocked, red velvet ribbons and birds. Ever the gift, the winter coats, for her and her brothers. Later, she’d stand at the bar drinking quinine, sliding the coins into the slot—Bell Fruit Bell Fruit Bell Fruit. Jackpot.
Mom's Scapular
×She was the most devout Catholic in the South, a single mother who worked three jobs and double-shifts. She wore this scapular all day (except when bathing) during her oldest daughter's nine-month coma. Mom became obsessed with Mary sightings, drove the family to see Nancy Fowler, the visionary of Conyers, GA, where the Virgin Mary sometimes appears in a farmhouse or sometimes as a sign in the sun. Katherine, her youngest daughter, remembers the spectacle: 30,000 people in a cow pasture, the Rosary prayed in four languages, "live" Stations of the Cross, and Polaroids of the sun at noon. She kept her smart mouth quiet on the drive home. The faithful believe if you're wearing a scapular when you die, it's a fast track to heaven, no stops in Purgatory.
Toosa's Colander
×To furnish a kitchen: Of knives and forks there must be half a dozen of each, a broiler, a toaster, and a colander. A native Mobilian, Toosa had a privileged Victorian-era upbringing. She knew everyone in polite society, could tell you three or four generations back who was family. A slender velvet bow upswept her snowy white hair. When she drove her late 1950s Chevy, she planned her routes so she'd make only right turns-her neck so arthritic, she couldn' t look to the left . This humble pitted colander, its diamond pattern of small holes-it's this everyday object her great-niece cherishes more than the strand of amethyst beads Toosa bought at the Chicago World's Fair. Let the liquid drain through, but retain the solids.
Participate in Saved Objects
Contribute your photographs and stories of objects in memoriam and help build an enriching collective art experience.